Product Code: APJ 8192
Artist: Dave Brubeck Quartet
Origin: USA
Label: Analogue Productions (2015)
Format: LP 200 grams
Availability: Enquire Now
Condition:
Cover: M
Record: M
Genre: Jazz N

Time Out

Brand new sealed 200 gram audiophile limited edition repressing of this iconic album, made in the USA.

Time Out is a studio album by the American jazz group the Dave Brubeck Quartet, released in 1959 on Columbia Records. Recorded at Columbia's 30th Street Studio in New York City, it is based upon the use of time signatures that were unusual for jazz such as 9/8, 6/4, and 5/4.[6] The album is a subtle blend of cool and West Coast jazz.[7][8] It peaked at #2 on the Billboard pop albums chart, and has been certified platinum by the RIAA.

The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State sponsored tour of Eurasia, such as when he observed in Turkey a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.[9]

On the condition that Brubeck's group first record a conventional album of traditional songs of the American South, Gone with the Wind,[10] Columbia president Goddard Lieberson took a chance to underwrite and release Time Out. It received negative reviews by critics upon its release.[11] Despite this, it became one of the best-known and biggest-selling jazz albums, charting highly on the popular albums chart when 50,000 units sold for a jazz album was impressive.[citation needed] It produced a Top 40 hit single in "Take Five", composed by Paul Desmond, and the one track not written by Dave Brubeck.

Although the theme of Time Out is non-common-time signatures, things are not quite so simple. "Blue Rondo à la Turk" starts in 9/8, with a typically Balkan 2+2+2+3 subdivision into short and long beats (the rhythm of the Turkish zeybek, equivalent of the Greek zeibekiko) as opposed to the more Western 3+3+3 pattern, but the saxophone and piano solos are in 4/4. The title is a play on Mozart's "Rondo alla Turca" from his Piano Sonata No. 11, and reflects the fact that the band heard the rhythm while traveling in Turkey.[8][12] Contrary to popular belief, Brubeck did not base the piece on the Mozart sonata musically; he stated in a 2003 interview, "I should've just called it 'Blue Rondo', because the title just seemed to confuse people."[citation needed]

"Strange Meadow Lark" begins with a piano solo that exhibits no clear time signature, but then settles into a fairly ordinary 4/4 swing once the rest of the group joins. "Take Five" is in 5/4 throughout. According to Desmond, "It was never supposed to be a hit. It was supposed to be a Joe Morello drum solo."[11] "Three to Get Ready" begins in waltz-time, after which it begins to alternate between two measures of 3/4 and two of 4/4. "Kathy's Waltz", named after Brubeck's daughter Cathy but misspelled, starts in 4/4, and only later switches to double-waltz time before merging the two. "Everybody's Jumpin'" is mainly in a very flexible 6/4, while "Pick Up Sticks" firms that up into a clear and steady 6/4.

In an article for The Independent, Spencer Leigh speculated that "Kathy's Waltz" inspired the song "All My Loving", written by Paul McCartney and performed by The Beatles, as they share similar rhythmic endings to the last phrases of their melodies.[13]